The first snows fell this week, bringing a cold and calming sense of closure to my summer art season.
Now I will transition into my winter hibernation mode of creation in my
art studio. I completed the last of my
scheduled events by running a workshop on felting techniques for my local
guild. While I really love traveling to
workshops, where I can meet new people and enjoy different parts of the
country, it was nice to just melt back into my home after the workshop, knowing
that I could sleep in my own bed last night.
Yesterday’s workshop featured an enthusiastic bunch of felters, from
absolute beginners to highly skilled fiber artists. We focused on creating birds, from vibrantly
colorful birds of whimsy to highly detailed and accurate creations. It was such fun to see the excitement and
intensity brought to the workshop, which, like the birds themselves, was
manifest in the diversity of the personalities and styles present. I have great fun teaching, and I always come
away with lots of new ideas and a renewed drive to create my own art.
The next question is always ‘When is the next
workshop’, and I’ve been communicating with artists in Canada, Alabama and
Florida, so I’ll let you know when there are firm dates.
We’re coming to the end of an era this coming week, with
Jacob expected to get his driving license on Thursday. Then he can drive himself to each of his
activities. For now, though, I still get
to sit and watch him, even if he is behind the wheel there and back as a
student driver.
Lately he has been doing
Muay Thai kickboxing, which leaves me time to work on willow leaves for my next
piece in the migration series. When I
was in California for a conference at Asilomar many years ago I took a side trip
to a site where monarch butterflies congregate for a rest on their migration to
Mexico. I imagined what the trees must
look like when the butterflies land en masse—the intricate wings clustered together
must have looked like draped flower petals.
I decided to create a weaving to show the scene that I imagined I would
have seen.
I have the green gradient
background woven and stretched out in a frame, and the cascading willow leaves
will drape forward from the background.
I have also created the butterfly wing blanks, so now I need to
embellish them with the monarch patterns.
The good news is that I learned a lot from my costume design experience
creating checkered men’s suits from plain and striped materials and drawing in
the patterns I imagined. I experimented
with different kinds of art markers and I’ve settled in some that work really
well on fabric. Imagining all the
butterflies I’ll need for the weaving means there is a lot of drawing patterns
in my future!
I also did some puttering this week with natural
dyeing. I have to say it was a lot of
fun to share my fleeces in the the bird workshop, where I shared my black
walnut, avocado, onion skin and maple bark dyed fleeces. My latest experiment wasn’t yet dry, though,
so it stayed home. Last weekend, after
the Spinners and Weaver’s guild show at the Convention Center, I noticed a
spruce tree that had dropped a carpet of pine cones—so I knew what I had to
do! The next day Jacob and I went out
and collected what turned out to be 156 pine cones, because that’s how many fit
into my dye pot.
I did my usual
technique of boiling them for an hour followed by an overnight steep. I strained out the woody solids the next
day. I reheated the dye pot and added a
pound of freshly washed fleece, boiled that mixture for an hour and let it
steep overnight. I pulled out a yummy
beige caramel that resembles the color of eggplant flesh after it has been
salted for about an hour. I don’t know
what I need it for yet, but I know that everything will find its purpose.
Until next week,
Martina Celerin
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