Showing posts with label Materials for the Arts. Show all posts
Showing posts with label Materials for the Arts. Show all posts

Sunday, August 21, 2016

Rain, rain, rain…


Mother Nature delivered a hefty dose of rain to Bloomington this past week.  She seemed to be a little off-target, though, because a substantial amount of it found its way into my art studio.  Fortunately, there was no damage to my art or materials, but recovery meant rearranging stacks of materials and rolling back the rug.  My array of fans and dehumidifiers took over and I’m back to being functional, but the net effect was an interruption in progress in my studio.  Of course I can take inspiration from just about anything, so rain was my muse this week.  I channeled water away from my happiness by creating umbrellas for Pippin.  In our version, the players are part of a vintage circus scene.   
Rather than shielding the performers from rain, our umbrellas help balance tightrope walkers and add drama to characters.  To achieve the costume palette of amethyst, sapphire and emerald, with black and white serving as neutral colors, I created all of the umbrellas from broken or re-purposed umbrella skeletons.  Thanks wind!  My favorite has to be the one that I made out of the crinoline from a fancy doll dress.  I cut half moons out of the canopy to scallop the edges and added a cane that I picked up at the Recycle Center from the Materialsfor the Arts program.  I replaced the rib tips with disco ball beads from a necklace that Nancy and I found at the Hoosier to Hoosier sale. 
I embellished each of the panels with trim scraps, reclaimed rhinestones, and circles of cut out of old sweatshirts. 

I created two additional umbrellas in a similar spirit of recycling.  This time I used actual umbrellas from which I removed the canopy and replaced it with triangles of fabric scraps.  Of course I embellished the panels!   

Sparkle, pompoms, felt balls and ribbon seemed right.  If that weren’t enough, I made an umbrella for Berthe.  She’s the flamboyant grandmother whose red dresses are shrouded in black that I created a couple of months ago.  The base costumes came from red dresses from My Sister’s Closet.  They were damaged and couldn’t be sold, so they generously donated them to our project.  I overlaid the dress with black lace fabric and clothing from the Recycle Center.  Berthe’s umbrella is unlike those of the circus performers and has a very different color story.   
I replaced the original fabric from an umbrella canopy with black lace triangles.  I covered the ribs on the outside with faceted trim that I got at a surplus store in Tucson, Arizona last year.  I added black felt balls I made several years ago and embellished the umbrella with lace velvet ribbon and red trim the Sounds of South students harvested from various pieces of clothing and curtains.  By the time I was done, the skies had cleared and the rain was gone!

This week I had the opportunity to sit and watch rehearsals for Pippin.  Even though some of the details are still being fleshed out, I can see the that the singing and choreography will be amazing.  I was able to visualize the scenes costumed and with all the props in place, which was an amazing feeling.  I can hardly wait the couple of weeks before costume rehearsals begin!  I can see that there will have to be many quick costume changes, so I’ve built technology into the costumes to allow them to snap on and off.  With seventy kids, who sometimes need to change their complete outfits in a short time, chaos doesn’t begin to describe the first iteration of rehearsals in costumes. 

In other big news of the week, the Pippin T-shirts with my logo I designed have arrived.  Between projects I managed to carve out a few minutes to sit and read the Herald Times in my big comfy chair, but clearly the paparazzi was watching.  I kept waiting for a pie to appear, expectantly sniffing the air when I woke each morning for the wafting aroma of baking pie, only to be disappointed.  My best hope is the peck of peaches that sits in a mound on the kitchen island.  Let it be today!

Until next week,

Martina Celerin

Sunday, August 14, 2016

Much accomplished, little finished…


I thought this week I would begin by talking about costumes I’ve created for the Sounds of South production of Pippin.  That project has taken over most of my week.  One of the big tasks I moved forward, with the help of Nancy Riggert of course, is making Charlemagne’s costume.  In the spirit of full disclosure, Nancy’s son Will and my son Tommie portray the king, so Nancy refers to us as the queen mums.  We worked on the king’s regal cloak, which I wanted to make as rich and ostentatious as possible to reflect his character.  I found a blood red velvet curtain at the recycle center (Materials for the Arts program) months ago, and this became the starting point for the costume I envisioned.  If you’re a person of my generation, there’s a hint of Carol Burnett in the costume, without the curtain rod.  I also found bits and pieces of costume embellishments at the Recycle Center, including a formal red table runner and trim from fancy pillows.  
I added used black fake fur from the hoods of jackets we collected at the Hoosier to Hoosier sale last year, as well as the last bits of a black vest I used to make the headdress for the beast in Beauty and the Beast.  I even found a use for some rings from an old purse, a gold hair barrette, black trim that we harvested from a different red curtain and gold fringe that we got from the Bloomington Thrift Shop.  If that wasn’t regal enough, we added lots of harvested gems to give it sparkle as well.  I love how it looks on the hanger, but I think it looks even better on the actors!  Now I need to create a crown worthy of the cloak.

A second project that we’re tackling is completing an arsenal of swords for the chorus army.  I created a sword design to complement the armor and helmets of the warriors.  The real challenge is repeating the process for seventy swords!  Bret Rothstein cut over 140 hilt halves from rug padding that wasn’t used for the armor.  Charlotte Appel cut out my swirl pattern from craft foam and Bill Riggert cut the lengths of PVC pipe from scraps we found in the theater woodshop, the Re-store and Alice Lindeman’s backyard.  We also cut out blades from leftover corrugated plastic recycled from last year’s Beauty and the Beast costumes.   
Misti Hayes glued the handles all together, including attaching plastic ornaments I collected from the Recycle Center on the handles.  Nancy Riggert is attaching all of the silver fabric to the blades.  Finally, we’ll need to paint the handles silver and attach them to the blades, then -- ta da!  Seventy battle-ready swords for the stage. 

I also spent some time at South working on the sculptural piece needed for the performance, a duck puppet.  For the body of the duck I used a deflated, oversized volleyball that I got from Brian Shepherd at Binford Elementary.  I cut a hole for the actor’s arm to fit in and filled the inside with remnant quilt batting that great Aunt Lois gives me.   
The arm entry passageway is crafted from a stocking of Meredith Burnham that she no longer wanted.  The head I carved from a cylindrical piece of foam from the Recycle Center and the whole thing is covered with felt remnants, also from the Recycle Center.  I began attaching the final layer of feathers, which are leftovers from Babette’s feather duster costume of last year.  It’s so fun to know the history of each little piece of my creations—nothing is cookie cutter when I get rolling. 

On the weaving front I did manage to release the water and sky background from the loom for the willow commission piece and stretch it out into its frame.  It is a small step, but the process is moving forward.  Next I will use my dimensional crocheting technique to build the water forward and create the land mass from which the willow will emerge. 

On the family front, the first week of school is behind us!  It was a long week, even though it had only three days.  As school moves into full swing, the boys will keep training in Taekwondo and weapons as they move toward their second degree black belt.  They will add twice weekly evening rehearsals for Pippin from now through the end of October.  
 It’s going to be a busy fall!  On this Sunday morning, though, after a restful Saturday, they were catching up on their electronic gaming.  This afternoon when the homework clock struck one, all games ended.   

Hmm, and did I mention there is no pie?  We had visitors from Ann Arbor Friday and Saturday night, who generously took us out for a leisurely brunch.  Unfortunately, we missed our Farmer’s Market trip, so at this point there are no peaches for pies or watermelons and cucumbers for the week!  Hopefully the Tuesday market will come through for us.   


Until next week,

Martina Celerin