Showing posts with label dyed wool. Show all posts
Showing posts with label dyed wool. Show all posts

Friday, May 21, 2010

My week started off well, but...

This week marked my favorite meeting of the year with the Spinners and Weaver’s Guild. Monday was the auction night, when everybody brings their remnants and out-of-favor materials. Everything is sold in a fun and fast-paced auction. People there know that I’m into greens, and some assume that I’ll take anything green. I’m pretty selective, though. I only want the earthy, natural greens for my pieces, not the hideous synthetic greens that often pop up. This year I ended up buying an eclectic mixture of things, including two books that I’m really enjoying. One is a pictorial history of embroidery, and the other book is from the mid-eighties called ‘Fiber r/evolution’, and it shows a lot of interesting, cutting-edge pieces. I especially enjoy the description of each artist’s history and appreciate having a context for their art. I’m always impressed by the diversity of the materials that are incorporated into art pieces, including a description of a weaving project based on embedding sticks in the earth and weaving around them. That sounds like a great community art project to me. I also bought a whole bunch of fleece at the auction. I found some beautiful blended wool and alpaca roving that will work well in my current pieces, and I even bought some stinky still-to-be-skirted fleece, with untrimmed burrs and poopie remnants still stuck on. That’ll be a fun project for this summer.


Another book that I picked up this week was “Seven Days in the Art World’ by Sarah Thornton. It has a quote from Leslie Dick that resonated with me: “[as artists we] are materializing—taking something from the inside and putting it out into the world so we can be relieved of it.” I can really relate to that, especially with my current body of work. In my own world of art, I had a highly productive week making more abstract tiles. The basic layout and color palette is still the same, with defined zones delineated in black wool and filled with earthy colors. When I looked back at my first piece of the week I decided that I must have been channeling trips to the beach in North Carolina, because I could see a lighthouse, grasses and the beach. It’s fun showing them to my family, since each family member has a different idea about the ‘right’ orientation for the square pieces. Never mind how I laid them out and what I was thinking! The funny thing is, sometimes the pieces do look better, or certainly different, when viewed a different way. A lot of life is like that.


Just when I thought everything was going great this week, WHAM! A nasty stomach flu got through to me. I had stomach cramps and fever that kept me in bed a lot of the time and totally lacking any energy. I ended up having to cancel a workshop scheduled for Thursday, but I’ll make it up sometime in June. I had everything organized, packed and ready to go, and I felt terrible about not being able to do it, but I was still running a fever and having cramps. The good news is that I’m now done with yogurt, toast and chamomile tea as my sole diet. I think I’ll even be ready for coffee by Sunday! I think the hardest part of the whole process has been opening the refrigerator and seeing the last piece of a tasty rhubarb pie sitting there. It was one of Jim’s best efforts, and the rhubarb was grown in the neighborhood by our friend Mary-the-neonate nurse. Don’t worry, and don’t bother coming over--I’m sure it won’t last another day! Take care and enjoy your health!


Until next week…


Martina Celerin

Saturday, October 24, 2009

Fall Fun with Fibers

I had some great treasure hunts this week that took me all over the county. I started out driving my son Jacob to his doctor in Bedford to get a flu shot, which took me through some beautiful fall foliage in southern Indiana. To be out in the warm fall weather early in the week after being cooped up last week was terrific. Closer to home, a little internet sleuthing turned up a clever artist with a proprietary process for creating felt balls without a lot of effort. This really appealed to me since I’ve been making small fiber balls by wrapping threads, which is pretty tedious. I spent the money to learn the secret—if you’re interested, check out her work here. Knowledge is power, and I set off to scour Bloomington for the secret ingredients I needed. After a little bit of experimenting I’ve learned to create wonderful felt balls in a range of sizes. The little ones are really cute, especially the red ones!

One of the joys of any treasure hunt is finding kindred spirits in secret places. They’re not always on the same quest, but the goal is the same. At Opportunity House I ran into Lisa, the owner of LolaRue and Company , a place to create crafts. She said she often stops in at Opp House to poke around a little before opening her shop in the morning. We both get inspiration there, and Lisa calls it her therapy before she starts work in the morning. I also had a nice stop at the Thrift Shop, a consignment shop run by the Zeta Chapter of Psi Iota Xi sorority. Part of the fun for me is interacting with the people who run the stores—I get to chitty chatty with them, and they always seem interested to know what I’m going to do with my basket of mismatched yarns and odd treasures. What I get isn’t always what I see, like the beige sweater I found that ended up converted to felt balls in a happy leaf green color. And of course once the dye pots came out, watch out yarns! I didn’t have much green boucle left, which I use to make crocheted leaf clumps. I had some textured turquoise, but the color was all done. When the fiber stopped flying I had 7 skeins of green yarn, plus the white wool I dyed to exhaust the dye pot. The exact final color isn’t too important to me, as long as it’s green.

The rest of my week was less of a treasure hunt, but I did some prospecting for treasure. I worked on the demographic analysis, show summaries and the final report for the Fourth Street Festival. I used some of that information to write a grant proposal to expand the advertising reach for the festival next year—I guess that’s treasure hunting too. I’m gearing up for the Déjà Vu art show coming up in Columbus, Indiana on Saturday, November 7. Keep your eyes open for the posters around town sporting my sunflowers and Cappi Phillip’s heavy metal chicken, which I think is a very cool piece. Then you can drive to Columbus for a great day of classic Indiana Architecture and modern Indiana art!

Until next week…

Sunday, October 11, 2009

My schedule catches up with me.

The weeks leading up to the Fourth Street Festival were unusually hectic for me. I was trying to pull all the pieces together for the Children’s booth project , finish some weavings and helping make sure the show runs smoothly. Last week when my elder son came down with the flu and a respiratory infection I didn’t worry about me beyond, ‘gee, I sure wish he’d be a little better about coughing into his sleeve’. Like the way the picture from the Centers for Disease Control shows at the pharmacy. I know because I was there picking up his antibiotics. Last week the flu visited me, which slowed me down for a day or so. The pneumonia that followed brought me to a full stop, and so my sweet husband got to see the CDC picture at the pharmacy too!


Have I said lately that I love my job? Even when I have no energy and I’m huddled into a tiny corner of the sofa trying to stay warm, I can always work on ornaments! So it’s one more week of ornament blogging. My art studio floor is littered with fleeces of all colors, as if a flock of tie-dyed sheep ran afoul of a frustrated barber. All around my spot on the sofa by a big window are baskets of fleece, needles, scissors and a box of tissues. I’m up to 66 ornaments, with a goal of 100 before the holiday shows come around. Fortunately, ideas for new designs just keep flowing. I’ll finish one with a color or pattern that will remind me of something else, and off I’ll go on that next theme. Sometimes I see a neat design in a magazine or a store flyer and that will spark a new piece. My weavings are just too big a format to allow this kind of stream-of-consciousness piece creation and I really enjoying the process.

My other big art projects are slowly creeping forward. The project to urethane the artwork glued to the BEAD panels slowed down with the heavy rains and cool weather. Two panels are inching toward dryness and two more are waiting their turn for a urethane shower. I also worked on completing the demographic analysis of the fairgoers at this year’s Fourth Street Festival. It’s interesting to see the differences from last year, and I’m heartened again to see how far people came just for the show (one fourth came from more than 50 miles) and how positive the responses were on the surveys. When asked what part about the show they liked best, the participants gave overwhelmingly positive comments about the atmosphere of the fair, the setting in Bloomington, and the terrific artists and the diversity of art. It rained a little on Sunday morning, but we still had more than 42,000 visitors. Just another reason to appreciate the great town we have here in Bloomington.


Until next week…

Saturday, October 3, 2009

Raisins on the Stairs

This has been a week to poke ornaments. I’m now in full holiday show mode, with thoughts of sugar plums dancing in my head amid the red, green and white patterns of my latest ornaments. I’m closing in on sixty for the holiday show season, which is good, but now they need names. My family usually helps me with deciding on names, and they have come up with some great material. With that many ornaments though, on top of the hundred or so that I made last year, I need more naming help. I’ve learned that if you want creativity, my seven-year-old’s multiage classroom at Rogers elementary is hard to beat. Some I really like and will use, like “Green Bean Casserole at Night.” Wow! Others didn’t speak to me since we’re not into Sponge Bob or the Transformers, but I still appreciated the effort.

The rains and humidity also let up this past week, and that meant I could get on to my project of urethane treating the Community Art project from the Fourth Street Festival. The fairgoers glued thousands of plastic toys, beads and other treasures onto four panels representing the four panels of the Bloomington Entertainment and Arts District (BEAD) logo. To waterproof the project and help secure the pieces I planned to treat the panels with urethane, but I discovered a new problem. The water-based urethane I chose has a slight pink tinge. I decided it would work on the red panel but not the others, so I set to work pouring the two half-gallon coats of varnish on the red panel and letting them dry. I decided that I would go with the yellow-hued organic based urethane for the yellow panel and just wear my gas mask. I’m a little sensitive to organic solvents, so that wasn’t my first choice, but the art has to come first here. Yep, that’s quite a visual—an earthy artist wearing a gas mask pouring varnish over a bunch of plastic toys glued to plywood in the backyard.

But if you really want the image of the week you’ll have to hear the story of my handy-dandy hand-held sander. This is the time of year when I need to finish frames for the long winter, which means I have to take advantage of the last warm, dry days. I was out sanding frames with a passion last week when it became clear that I had no choice but to install a new piece of sand paper. I had worn the last piece down to the pad in some places. To have any success at all I had to work in specific zones on the surface where any sand was left. It’s kind of like harvesting the zest from a lemon—you get most of it in the first few shaves, then you really have to focus on the little slivers that remain. Anyway, when I took off the paper I unfortunately ripped off the soft underpad. Yikes! Luckily I remembered the HoA (husband of artist) and Grandpa using JB weld to fix the broken faucet. I got it out, carefully mixed it up and splatted it on, and voila! It held tight. I’m so excited to have a big, fresh surface of sandpaper where I don’t have to remember which parts are worn out! That reminded me of a card I got back when I was in graduate school studying fungi. The picture on the card showed a stairway with raisins laid up the center of the walkway. They were there to remind the person to walk up the sides and avoid wearing out the carpet in the middle. I still laugh when I think of that picture.

Until next week…