From stinky to sublime in my stockpot heaven

I dealt with the last of my stinky dye pots this week. The lichens I carved off the maple tree felled in my neighbor’s yard was the stinkiest. It also gave the best and most intense color. I thought I should try a second dip using some merino wool, with the hopes that I could create scarves in the beautiful golden-caramelly color from the lichens. Unfortunately, the colors were less intense the second time around. I’m going to keep an eye out for lichens on any fallen branches I encounter and see if I can repeat the experiment. My second dye pot contained oak bark, which gave a soft yellow-brown. I know it will be useful, I just don’t know what for yet! I also think that when the weather cools down a bit I’ll probably try a little more dyeing on merino using maple bark for use in my fall scarf collection.

Our vegetable garden production is booming. I’ve had the first tomato, and I see three-inch zucchinis on the vine. Of course the farmer’s market has far more, and sooner, but these are ours. Technically, Tommie planted them, and occasionally remembers to water them, but they end up on my burgers (the tomatoes) or in my cooking (the zucchini). Thoughts of green things growing on vines inspired me to create a new piece that incorporates peas. A long time ago I did a piece called ‘Pea and Friend’ with a pea vine and a ladybug on the plant. That was before I used needle felting, and now I think I could create a much richer and detailed piece by felting the leaves and peas. I pulled out some of the green fleece I bought at this year’s Fiber Event in Greencastle and carded it together with a few other lighter greens from my stores. I also discovered the extreme upper capacity for my carder! I still remember the words of advice about not overloading it from my friend Ulla. Of course without a demonstration one can’t know what that means. I just kept adding until I had a dense mat of beautiful green carpeting the drum. I had to get out a big screwdriver and do some serious lifting, rolling and ripping to get the fleece off the drum. It all turned out OK, with two big rolags of pea green fleece. The carding inspired me to weave the green canvas for the piece using my crunch green yarns, so now I’m ready to launch into making peas, pods, leaves, vines – and those cute little tendrils!

Saturday of this week was family day, and we packed in a lot of activities despite the heat. We started off at the farmer’s market, buying a big batch of heirloom and roma tomatoes for homemade bruschetta. We also picked up some fresh basil, garlic, and what turned out to be very spicy onions. My eyes watered until I remembered my protective gear (swim gogggles - what a sight!) and finished the chopping. We chopped, peeled, mixed and simmered in a ‘food only’ stockpot until we had a giant batch that ultimately filled around 20 glass jars. This has to last through the winter, but we’re going to test one bottle tonight with our traditional flatbread meal that consumes most of one of the jars of bruschetta.

After our morning farmer’s market stop we went to our secret creek bed that is littered with geodes and other treasures. Searching down in the cool, shady watercourse was a good way to spend a couple of hours. We collected rocks with holes in them, crinoids, rusty metal objects, and anything else that might look good in a weaving someday. I’m thinking about creating a piece with dirt and sky, as I have done before, but focusing on the lost bits and pieces and rusty things that turn up when you dig in the garden. I’ll probably nestle a tulip bulb underground and show the flower above. The concept is a little hard to describe, but I’m trying to capture the idea of the optimist planting bulbs in the fall for spring beauty. She breaks into the soil that has all the history and stored memories that you find when you dig a little bit. It’s always there, and the history precedes you—your world is intertwined with the people who worked the soil before you. In the end, though, you just remember the pretty tulip you see in the spring.

Until next week…

Martina Celerin

Riverbeds and Arugula

This week I’m descending into the green riverbeds of Monroe County. Last week I was dyeing a suite of verdant yarns that have already found themselves in my weavings. I constructed the base of one piece using a sumac weave that lets the weaving grow off the loom. It creates a realistic base for the single tree that will stand in the foreground. I wrapped the tree branches, needle felted the tree trunk and attached branches onto the trunk. As I laid out the background weave I used my trusty black sharpie and drew the outline of the piece on the warp. Then I started weaving, using a set of deep teals I blended to create the predominant colors of the weaving. I documented my progress with a picture and decided it was time for a break. The boys were ready to go for a bike ride, so we loaded the bikes on the rack, filled the water bottles and headed for the old rail trail and started our adventure. We stayed in the shade canopy and traversed the Clear Creek trail, a most pleasant eight mile trip.

That evening I got back to weaving and by the next night I had the piece finished. I’m really enjoying creating my most recent pieces with tree and water themes, and I’m pleased with how they have turned out. I stretched out the weaving and this evening I’m incorporating it into a dark brown frame. To finish the piece I’ll worked on needle felting trees onto the distant shore. I’ll also expanded the river into the foreground using sparkly silvers and a lot of strong contrasting blues to achieve movement in the water and give still more depth to the piece. To finish it off I’ll added some rocks I collected from Lake Monroe last year. My secret is to scour the creek beds entering the lake for small rocks that have a small hole eroded through the rock so I can discreetly secure them to the weaving with thread. I spend hours combing the creek beds and evading the copperheads for just the right rocks, and I must say that my collection of rocks with holes is extensive. Of course when that fails I have a secret back-up plan: my drill press!

To complete the foliage I also need to crochet leaves using the materials I dyed last week. I love it when just the right color for a piece I’m working on turns up, even if it comes about by accident. If you try enough color variations on enough materials you’ll find what you need. There’s a lesson in there somewhere.

The other news of the week involves my latest breakthrough soup. I get all sorts of new greens from the CSA group each Wednesday, and this week it was arugula. I think I used the green arugula (and not my green yarn) in the Tuscan white bean and arugula soup I made on Thursday, which was very tasty. One sprinkles it with grated, aged Parmesean cheese from Bloomingfoods and it tastes terrific! It’s amazing what you can find on the internet—recipes to consume just about anything. Late in the week I dropped off one of my last abstract weaving to Wonderlab for their silent auction. Of course the boys quickly disappeared into the building as I chatted. I ended up doing my default activity, which is creating ornaments for the upcoming holiday art shows. I had a striking mohair teal that I picked up at the Hoosier Hills Fiber Festival in Franklin, IN a few weeks ago. It’s such a strong, rich color that I had to incorporate it into a project. Later I dropped off some soup to one of my enablers, Mary at the recycle center. She gave me some organic soybeans that went into the soup, so I made sure Mary got to try it. I think that’s what recycling means. Anyway, the soup made Mary—and me—very happy.

Until next week…