Showing posts with label commisions. Show all posts
Showing posts with label commisions. Show all posts

Saturday, May 9, 2009

The Greens of Spring

Someone once told me that in order to really appreciate Indiana, you had to appreciate all the subtle shades of brown. But if you want to appreciate springtime in Indiana, you really have to appreciate all her shades of green. The progression began almost two months ago, which we noticed on our trip to Michigan over spring break. We left Bloomington guarded by skeletons of brown trees, spent a few days in Kawkawlin, and came back to the soft, timid greens of earliest spring. Her arrival isn’t like stepping into a new world of color, like Dorothy did in the Wizard of Oz. It’s a gradual process that most stop following until the whole spectrum of greens is on full display. All the textures, colors and variations are enough to keep an artist busy for a lifetime!

Maybe you’ve guessed that it’s been a green week for me. I’ve been thinking about the ‘Tree Woman’ commission piece and working on her leaves (see the sketch in the April 25 post). To begin I got out my big storage containers of green yarn and my crochet hook. That scared the leafy green colors and set them quivering, which is how I create the effect of a breeze (OK, OK, I’m just kidding!). To get the textured effect and colors I wanted I mixed three green yarns. Two of these I bought but one I created—you never know what you’ll find in my artwork! Here’s the story of a yarn’s mid-life crisis:

The yarn was raised as a pretty blue bouclĂ© with a wonderful texture. She had every advantage in life and was well cared for, but no one really loved her. Even the person that cared for her most knew she wasn’t happy, and that a great career in the arts, admired by many, was her true destiny. I happened to be attending the Spinners and Weaver’s guild annual auction, one of my favorite events, elbows out and bidding on yarns in the midst of the shrewd and seasoned local fiber artisans. The auctioneer was Cheryl Johnson, a local spinner, and she was desperate to help her blue friend. “Martina, you need this yarn!” she implored, but I think she knew the yarn needed me. Blue just isn’t a color I work with a lot, so I grudgingly bid a dollar and brought home the blue bouclĂ©. After puzzling over what I would do with it, I got out my yellow RIT dye and over-dyed it. Out came a magnificent, lush green (the upper right yarn in the panel of three yarns). She quickly made friends with the other greens and is heading for a dual career in the arts and home decorating. There’s always a happy ending when people bring fiber into their homes.

I have truly enjoyed the greens of spring this year, scootering or biking in to school with my boys and watching the lush foliage emerge. The highlight of this particular week, though, was going on a fishing trip in our canoe with the HoA (husband of artist) and elder son (aka the fishing machine, Tommie). I really enjoy paddling in the canoe—maybe it’s the repetitive nature of the paddle strokes that remind me of weaving. It was a beautiful evening on Tuesday, in between days of heavy rains. The water was glassy but not flat, and the partly cloudy skies let enough sun light in to see the glory of the lake and all the surrounding greens. I caught the first AND biggest fish, which usually wins you small sums of money in fishing bets in our family, but I haven’t seen the financial reward as of yet. I did enjoy the fish fry, with 25 modestly sized crappies (OK, there were a lot of small ones). But they were tasty! Especially with some heavy bread, some French fries and a bottle of Pilsner Urquel. Now that’s a fish fry!

Until next week…

Saturday, May 2, 2009

Celandine Poppies and Spring Eggs

Completion! This week I finished a commissioned piece I’ve been working on for months. It has a fern background and Celandine (wood) poppies growing through. These are two of the truly hardy plants in our backyard, necessitating constant vigilance, trimming and plucking to keep them in check. I had finished the fern background and I needed to create the yellow poppies, so I stepped into the back yard and snipped a model bouquet. They immediately cheered up my art studio and set me to the task. I started with scraps of thin, plastic-coated wire that I shaped into petals. The flowers were needle felted onto the wire frames, ironed flat, then wrinkled into shape. The wire nicely holds the shape. The pistils are made from wire wrapped with green wool and touched up by needle felting. I think they’re really pretty in a vase.

In the Creek-Love classroom we took the next step on our Gold Fish in the Blue Ocean piece. We finished gluing seashells onto the frame, and the kids have sorted tons of gold beads and jewelry pieces to make the gold fish. At home I’ve finished sculpting the fish by bulking them up with cellulclay in anticipation of gluing on the gold scales. Now I’m excited about seeing the final project—it’s been two years in the making. It started when my older son Tommie was in the second grade and is continuing as Jacob moves through the first grade. The weaving phase was the most time consuming as we slowly built up the giant background, but now we’re rapidly approaching completion.

The last big project of the week has been gearing up for our annual spring egg hunt, assuming it doesn’t rain. So far we’re looking good on the weather, but of course you never really know in the spring in Indiana. We’ve invited 19 kids and have a twenty-gallon tub filled with packed eggs. We save the plastic shells from year to year and the kids take home the booty inside. Last year we geared up for the event but it rained every weekend in season, and suddenly it was 90 degrees. Melting chocolate candy is not what you want to have a bunch of screaming kids handling while running around your house. We did have to discard most of the contents of the eggs from last year—Whoppers go bad, it turns out, as do a lot of other rich chocolate dainties. The gladiolus corms were dehydrated but apparently OK, so they got their own spot in the garden after an overnight soak. I guess it kept the kids from thinking they were candy and accidentally eating them. After the hunt the HoA (husband of artist) will have a suite of cupcakes for the annual ‘Cupcake Picnic’. As of now we’ve checked off all the key requirements for a successful kid party: Chocolate? Check! High-sugar products? Check! Chance to run around and scream? Check! Time limit so wired kids go home before the house is destroyed! Check! Check Check! We’re ready!

Until next week…

Saturday, April 25, 2009

Gold Fish in a Blue Ocean

The fish are swimming through my head this week. I’ve been working on a weaving project in the Creek-Love multiage classroom at Roger’s school this week. We recently completed a huge blue weaving of the ocean using recycled materials. I scoured the Recycle Center and Opportunity House for all things blue, black and weavable, and what I came up with were ties, socks, lanyards, and cords. Perfect! The kids, a little at a time, created the ocean. Then I made a compatible frame out of the recovered stretcher frames from Pygmalion’s. Of course we jazzed it up a little by gluing seashells on the face of the frame, another good class project. The kids also sketched the fish they wanted for their weaving. This meant that not only did I have to create fish out of recycled stuff, I had to meet the demanding specifications of six to eight year olds. Did I say I love a challenge?

Luckily, a school of fish appeared in my kitchen this week. I started out with soft foam from the recycle center and a pair of scissors. I’m sure this is how all the great master sculptors got their start—limestone is way overrated. Then I took thin blue Styrofoam trays—the kind that fish really come on from the store—and cut those into tails and fins that could be glued on to the fish. The whole thing turned out to be a little too soft and absorbent to paint, but the art teacher at Rogers—Jan Barnes—really helped me out. She suggested that I try using celluclay, which is finely ground paper and water. It filled in the crevices and dried to a rock-hard surface and my fish were swimming again. They’ll soon be painted and ready for release into the ocean. It’s kind of like the animal rescue missions that take in wounded animals, nurse them back to health and then release them into the wild.

If you think you’d like to see the piece when it’s done, it scheduled for display at Wonderlab from May 20 to June 30th, planned to coincide with the new water table opening. ‘Gold Fish in a Blue Ocean’ will then swim over to the John Waldron Arts Center to hang for July and August before taking up a more permanent residence in the Creek-Love classroom, the first grade home of my son Cubbie.

In other news, I dragged my scientist husband out of the lab for lunch on Friday. It was going on 80 degrees and we ate at the picnic table in the Third Street Park. It turns out we couldn’t park in our usual secret spot behind the police station and had to settle for a street spot almost a block away. Oh the horrors of the city! In any case the afternoon was the setting for an artistic epiphany (aka piffy). I’ve been trying to come up with a design for a commission piece that fuses a woman and a tree. Nothing worked for me—the face always detracts from the design. Then I was looking up at the trees as the started to bud out and realized my tree woman should be looking up! Her arms grow into the branches, her elegant neck is exposed and she reaches for the skies. It empowers her and has a feel that I really like. I’ll start that soon, but tomorrow (Sunday the 26th of April) is the Luna festival in the Showers building. I’ll be showing some of my work (and more is along the staircase leading upstairs). My friend Bonnie Gordon-Lucas will be there too, so we’ll have fun no matter what.


Until next week…

Saturday, April 18, 2009

Wood Poppies


Spring is here, and it’s the week of the commission piece. This week I’ve been working on a green fern piece with wood (Celandine) poppies to add a splash of color. My projects always seem to involve a mixture of local or recycled materials, Bloomington landmarks and my own personal history. The recycled material this time is the brass flashing that seals doors to the outside. I cut this into fern leaflets that I wrap with green yarn to achieve the rigid structure I need to grow the ferns out of the frame. The brass comes from the ever-reliable Kleindorfers’ hardware store, one of the best-kept secrets among three dimensional fiber artists. The wood poppies have special meaning for me as they have taken over our backyard gardens. Shortly after I moved into the big gray house (now yellow!) with my husband, every time one of us spotted a wood poppy flower and said ‘wood poppy’ we had to kiss each other. It works like tapping your water glass at a wedding, only you’re less likely to break a glass or spill water.

The warmer weather of last week was also great for letting me move ahead with finishing frames. The magic temperature for a lot of the paints and stains I use is 50F, and we easily passed that last week. Tom Bertolacini is a local friend who makes my unfinished frames. He does an amazing job with mitering beautiful joints and drilling the rows of holes I need to display my pieces. I putty any imperfections, sand them into submission, and finish them on the veranda. Finishing means painting or staining and sealing, depending on the piece. It isn’t my favorite part of the process but I work hard at making them look nice.

I’ve also been out and about town this week. I met up with Amy Hamilton of Musgrave Orchard and Core Farms CSA fame. She had on her big muddy boots and was happy to be outside planting. The vegetables that will appear in big wicker baskets this summer are popping out of their seed coats and reaching for the sky. That means big Russian Black tomatoes, cucumbers, beans and apples. Plus all the zucchini we can eat, give away or compost. Amy is the only person I know who was happy for the rainy weather of the last weeks to get her seeds germinating. I also went with my son Jacob’s class (the Creek-Love room at Rogers Elementary) to the Indiana University Art Museum and Lilly library. The Art museum was an inspiration for me, especially seeing some of the patterns in the African art exhibit. I made some sketches and I’m sure some of the themes will end up in ornaments for the holiday season. The weather was fabulous and the kids were energized so I got my weekly dose of shrieking. The passing IU students looked a little confused, but that’s pretty normal. The highlight, though, was that I got to enjoy a rare lunch with my son Cubbie on my lap.


Until next week