Showing posts with label dye. Show all posts
Showing posts with label dye. Show all posts

Saturday, July 18, 2009

The Greens of Summer...

This week I’m back in the art studio and weaving like an artist who sold all the pieces she intended for a gallery show in two weeks. I’m still excited about finishing the ‘river’ piece I wrote about in last week’s blog, but I was short on the right green materials. So out came the dye pots, including the new ones I bought at the Monroe County Historical Society garage sale. Out came the RIT dye (from Indianapolis!) and a pile of materials that I brought home from the Spinners and Weavers Guild auction. Sometimes the wools call out to me, like a high-pitched sound only a dog can hear. Other times the Guild members taunt me when a lot comes up that nobody wants. Martinnnnaaaaa—don’t you need this pretty blue yarn? So of course I buy them all. I pulled out deep blue cottons, golden corn silk and teal boucle wool, some green and yellow dye, my dye pots and I leaped right in! OK, not into the dye pots, but 14 skeins of yarns went into the pots. The process is long and involved, so life went on in between. I got started dyeing, and then the boys and I went to the library to claim their prize for completing 25 books this summer (insert proud mom smile here in your imagination). They each brought home a nice chapter book, which hopefully will be #26. We came home to move the yarns along in the process, then off to Bloomingfoods. We bulked up on fresh fruits and vegetables, and Tommie had to bring home the gnarly carrots he found. We were then off for a bike ride to burn off some summer energy, then on to pick up the CSA vegetables for the week. The greens from the CSA went into chowder that was mostly corn, kale and sweet potatoes, but it also had the vegetable stock I made from the freezer-burned green beans, turnips and other unused delicacies from last summer. I can only slip so many green beans past the HoA (Husband of Artist) before he gets suspicious.
The hectic-running-around pretty much sums up the events of the short week after our return from Madison. I’m still basking in the afterglow of my successes. We drove in to the driveway to see some beautiful flaming orange, yellow and red glads that had just opened, along with a few unopened burgundy racemes that were on the verge of opening. I planned to cut them for a nice welcome-home bouquet the next morning. But during the night the terrors of the town struck. No, it’s not adolescents out of control with scissors, it’s just deer fattened up on flowers. Those rascals mowed the glads down to the quick! If only the HoA were so good with the lawn! Only one bud of burgundy glad survived the nocturnal carnage, and that’s in a vase in the kitchen with a few zinnias. I guess our garden is just a nice buffet, timed to keep the deer happy all summer. Sometimes karma just spills out into the yard.

Until next week…

Saturday, June 6, 2009

Back to Work!


This week it's back to work. My focus has been on my "Tree Woman" commission piece. The trunk is filling in nicely, the arms and legs are in place, and the branches are now wrapped. I struggled a bit with matching the trunk color, which is a rich warm brown, with the branch color. I was sure I'd have a good brown yarn to match for wrapping the baling wire branches, but digging through my stash of yarns convinced me that I had a problem. I did come up with four close colors, and close counts in fiber art if they combine effectively. So the branches are wrapped with four different browns, and I find that the subtle color differences bring out elements of the trunk and earth. The remaining parts of the weaving, such as the green foliage and the dimensional crocheted background, are in place. Next week the Tree Woman will emerge!

I also had a great time this week at the Indiana Recycling Coalition's annual conference at the Bloomington Convention Center. Marilyn Brackney put together a show of recycled art to go along with it, and I'm grateful to her for all the work she did in bringing the show together. I know firsthand what a chore it is to orchestrate an event involving artists. I met a lot of interesting people from all over Indiana, including the fellow who runs the company that makes the baling wire I often use for structural support in my needle felting creations that reside in my weavings. You can bet I'll pay him a visit to collect more scraps! I sold one piece to Therese from Valparaiso (The Offering–see the March 21st and 28th posts). They're big on composting, and I know the piece will have a good home. That makes me feel good. It was also fun to hang a show with my friend Cappi Phillips, who's always a stitch to hang out with. I did have to give her my angry face when she tried to use her big, rusty upholstery hooks that would have ripped big holes in my nice new fabric display panels. Grrrr--rufff! I loaned her some of my shiny thin hooks and peace was restored.

This week Franklin Indiana hosted the Fiber Art Fair. Last year the severe flooding in central Indiana literally washed it out, but this year I made it back to pick up supplies. I dropped the boys off at the summer art camp at the John Waldron Arts Center, picked up a wallet full of cash from the HoA (husband of Artist), and got his agreement to pick up the boys at four. I headed for Franklin and didn't look back! I found beautiful Mohair, dyed to vibrant purple, deep sea blue and electric lime colors. The intensity of the colors is amazing. I also snagged some nice rayon dyed purple from Robin Edmunsen. I have a great idea for that as part of a wet-felting project I want to do this fall to make another scarf. I was also shocked to see how much her girls have grown up–they were off demonstrating spinning (one-dimensional weaving) while Robin was teaching a workshop. Time flies when you work with fiber, I guess.

Until next week…

Saturday, March 7, 2009

Yellow, yellow, everywhere...


This week I’m thinking about the bright yellows of spring. Our garden has a glorious show of yellow eranthus (winter aconite) on display. The blooms spill over into the lawn but we don’t mind. The first daffodil shoots are finally poking up in our garden and that means the whole town is about to burst into yellow and white. When that show is over and the lawns become lush and green, up will pop a sea of yellow dandelions. Many fail to appreciate these resilient bloomers, but not me—I’m ready to pop off their little heads and use them for dyeing projects. Last year we cleared our yard of blooms and supplemented with a few more from Bryan Park down the road. This yielded a beautiful soft yellow that went into the ornament project, bringing back little yellow puffs of summer well into the winter season. And off I go into a reverie, thinking about weaving long-stem dandelions into crowns with my grandmother from Prague and beachcombing for treasures on Lake Huron, and learning to dye with onion skins. She was a special friend to me, a very classy person and her take on life was far ahead of her time.

This week’s art project is a dandelion display. The flower heads are yarn pom-poms and the stems and veins are made from wire that retired from a career in electrical fencing to focus on art. The leaves are needle felted in place and patterned on a picture from a library book to ensure anatomical accuracy. That’s the downside to having a degree in plant biology I suppose. Anyway, the piece is intended for one of two upcoming shows I’m doing titled: “Inch by Inch and Row by Row”, taken from The Garden Song by David Mallett. The “Inch by Inch” show will be hung in the Showers building downtown on April 1st. This is your official invitation to stop in and see the pieces.

It was also an exciting week for other reasons. The excitement started Thursday morning when I was in the shower, right next to where I broke through the wall to melt the frozen pipes (see January 17 th blog entry). I started to smell smoke, which led to a 911 call, which turned into five fire trucks, an ambulance and a police car sitting in front of the house while the muscular guys in heavy coats carrying axes came running up the stairs to check out me and my shower. I should have thought of that when I was single! They quickly found a fluorescent light ballast that had shorted out, disconnected it, and off they went. Everybody got to school a little late and the HEPA filter got a workout to clear the smell. The real highlight, though, was when I was standing on the front lawn chatting with the fire chief who admired our one-of-a-kind mosaic shutters! They were made by Cappi Phillips, a local mosaic artist and good friend. Before the smoke spiced up my shower, I was getting ready to pick her up and head off to the Heritage Quilt Show with another wonderful Bloomington artist, Dawn Adams. We had a great morning together, and I really admired the quilts of Carol Taylor. I especially liked the leaf patterns in vibrant colors, which got me thinking about—you guessed it—a leaf piece!

Until next week…

Saturday, February 7, 2009

Dyeing to be Blue




This week my Great Blue Heron raised his elegant head for a few appearances. I had constructed the body a few weeks back (see the January 24th post) and it was time to start fleshing him out. Well, feathering him out, I suppose. I started off by dyeing a range of blues and grays for the feathers. With little pots of blue water on the stove, my heron had to peek in to see if there were any little fish for lunch. He stared for quite a while before giving it up to chase dust bunnies in the jungle room. As for the dyes, I often use natural materials or Kool-aid for subtle colors. This time I needed more robust RIT dyes, which are relatively non-toxic and the company is located in Indiana (hooray!). The colors weren't exactly right to suit my heron, but I assured him that I could card colors together and make them just so. With a little smoothing, physical and emotional, he was ready for his first public
appearance: an in-progress avian sculpture for Wonderlab's "Science of Sculpture" program.


On Friday evening I carded wool and poked my heron along the path to biological accuracy with a few dozen new friends. I talked to a lot of adults and children about how the barbed needle I used to felt wool combines the fibers into the shapes I want. I also showed how the carders can be used to combine the raw dyed wool into organized fiber bundles of the colors I need. It's hard work but it's fun to try. To get the heron colors right I checked out books from the Children's section of the Monroe County Public Library. They have books with better pictures than can be found the adult section, and they don't charge late fees when I forget that a book is due. More kids need to check out those books, I decided, since many thought my heron was a stork or an ostrich. Knowing the sensitive nature of my long-legged friend I quickly dissuaded them of that notion. Besides, the stork won't be visiting our house any more. My two boys spent the evening climbing, inventing and eating with friends, while the HoA (husband of artist) patrolled the grounds to keep an eye on things. It was nice to have the family together as I worked.
I should also mention the other projects that were ongoing as I poked and chatted. The terrific Wonderlab group ran a wet felting workshop using wool they dyed with Kool-aid. Kids and adults used soapy water and a lot of hand rolling action to make colorful balls that they carried off in little paper towel coverlets for drying. I saw some beautiful color combinations, and I sensed that a lot of people had fun in what was truly a hands-on learning project. I felt right at home with all the fiber work going on. The "Science of Sculpture" exhibit will go on for a few more weeks with projects such as glass blowing and stone carving on display. If you look carefully you can see one of my fish sculptures hanging from the ceiling, and you can also see my "Shh… the trees are sleeping" show on the wall as you go up the stairs. Stop in if you can! And thanks to everyone who participated and made it a fun event for me.



Until next week…