Showing posts with label recycled fiber art. Show all posts
Showing posts with label recycled fiber art. Show all posts

Monday, July 26, 2010

Bloomington in the Hot Summer

Summer in my town means many things. This week it means art camp for the boys at the John Waldron Arts Center. The place has been taken over by Ivy Tech, and the place is a beehive of artistic creation each weekday morning. There’s kind of a school year feel to the mornings at home—everybody has to get up, dressed, fed and have a snack basket put together. At the camp, the boys have had both teachers before. Both are well liked, so it’s a good experience all-around. Tommie started off making a bowl that expanded into a serving platter, so in a proud-mom-sort-of-way I’m looking forward to having another addition to our collection. On the down side, the morning weather approached steamy last week, with morning ‘lows’ in the eighties. But that doesn’t deter an artist! Down in my basement art studio it’s cool and comfortable, and I got three glorious hours to myself each morning to focus all my energies on weaving.

Did I say weaving? I’ve thrown every spare moment at making new art pieces. I started weaving a piece that was commissioned at the Columbus Arts Festival. A woman there liked my chameleon piece, but she preferred the red-eyed tree frog among fern fronds that I made and sold last year. I got to bring the chameleon home, although he found a new home in Madison... To make the fern leaflets, I got out my brass flashing and started cutting. I snipped out more than I’d care to count, but they sound nice and jingly when you pour them into a pile. I think the leaflets even look quite cute before they’re covered and assembled into ferns. They seemed a little naked, though, in comparison to the lush jungle setting of our backyard—it’s been so hot and wet that everything is overgrown. To cool off a little and reconnect with my Canadian roots, I also finished a piece I’ve been working on called, at least for now, “Four Birches by the Lake.” I think the heat wave has gotten me yearning for a cool northern lake to sit by. I really like the depth and sparkliness of the water that I was able to achieve. As for the name, we have a running family story, where when I finish a piece I often ask my family to help me name it. For example, when I made a piece with a single tree next and a lake, a very young Tommie wanted to call it “Lake by the Tree .” He’s a literalist when it comes to naming art, and the trend has continued.

The weekend routine has been a little disjointed, with Jim and Tommie going on a road trip to Lake Erie to do some fishing. Jacob and I spent some quality time together, and he even made me breakfast one day! He’s such a good fellow. We went to the Farmer’s market to supplement the container of blackberries that we got from the CSA. They’re juicy and tasty, and the berries would be WONDERFUL in a pie. Are you rested up yet, sweetie? We’ll see. While they were gone, Jacob also discovered a new art form called ‘Pixos!’ They’re tiny balls you arrange in a pattern and then mist with water. The surface liquefies and the pieces fuse with their neighbors. Given a little time, the pieces do harden and can’t be manipulated. Or perhaps more accurately, they don’t fall apart when you try to play with them too soon. This ‘waiting’ element in the process is a key factor that Jacob has slowly come to accept, although grudgingly. The pieces seem like they’ll make nice Christmas gifts and tree ornaments…watch out Grandma! The fishermen came home late last night, so completeness was restored and perch dinners are in our near future. Hmmm, I wonder how perch goes with blackberry pie?

Until next week…

Martina Celerin

Sunday, April 18, 2010

The days are just packed

Could I possibly have packed any more excitement into this week? Should I start with the rhubarb pie? No, I should start with Monday when I loaded up all my art and headed to Indianapolis. I was invited to give a lecture to the Embroidery Guild in Indianapolis. I took my scarves, ornaments, tools, and all my weavings that weren’t hanging somewhere. I even dug out my first exploratory pieces and took one off the wall that I made before I was working artist. The talk was intended to cover my history as an artist and the influences that helped shape me. One of the great things about giving talks like this is that I get to both re-live and observe my evolution as an artist. I’m reminded of how much I enjoy what I do! It’s fun to see the different design and structural landmarks that define different turning points in my career. What made the trip, though, was that my audience was just great! They asked a lot of questions at the end, which is one of my markers for success. It was also nice to see such a range of ages—they clearly have a vibrant and engaged group. To top it all off, the talk coincided with the last of the redbuds and the emergence of the dogwood flowers so the drive was pleasant too.


Tuesday was eighty and sunny, and that brought on a fishing trip to Lake Monroe with my dear husband and son Tommie. Jacob went over to a friend’s house for play and pizza until eight. We zipped over to the Pinegrove launch area after school, put in the canoe, and headed straight to the secret crappie location we discovered last year. The crappies didn’t really cooperate, but we ended up catching all the catfish we could hope for. I tried hard to catch crappies—I really did—but somehow the catfish always seem to find me. We even managed to lose a really big fish that was on for a while before giving us a big splash as it snapped the line and swam away. To be social we invited the fish to come home for a fish fry on Thursday. Fishing aside, though, we had a really nice time paddling on the lake as the sun set.


Wednesday brought a different challenge. It was the day that the Fourth Street Art Fair committee met to review the 450 applicants we had this year, which is a record. I was partial to the fiber category works, some of which were truly stunning. The paintings were also awesome this year—there were lots of ‘oohs’ and ‘aahs’ from the committee. We’re a pretty tough crowd, so you’ll have to come to the Fourth Street fair this year and see what we have on display.


Thursday was an eventful day for me in the art studio. I launched into heavy-duty mode to finish my piece for the Edible Lotus fundraiser dinner. Time is getting short so I had to really put some effort into my piece. I had first envisioned a tree in the fog, which evolved into a jeweled tree. I like the symbolism of the tree for community art projects, such as the community tree that I organized two years ago for the Fourth Street children’s booth. In that project, each leaf was an individual art piece created by visitors to the fair, decorated with recycled and recovered materials. The whole Lotus Festival concept reminds me of that tree, because it depends on the contributions of a huge number of volunteers like the tireless Deborah Klein, local paper artist extraordinaire. Anyway, you have to understand that the project has been very stressful for me because of the deadline. Any time you try to convert an idea into a three-dimensional piece you just don’t know when (or whether) it will really come together. Sometimes ideas work better in your head than on the canvas. When you have a deadline that’s a bad thing and it was starting to weigh on me.


The concept for the piece itself is a three-dimensional tree that is intended to hang above a table. It needs to be very light because, like the old joke, if a tree falls on a donor, everybody notices it. To solve the problem I turned to my newest and lightest medium, the recovered dryer sheet. I’ve had people collecting them for me to add to my personal stack. They’re airy and light, and somehow that works with the airiness I intended to circle around the tree itself. I sewed the dryer sheets together and gave them an evening coat of white paint. Then I painted on the tree with fabric paint and acrylic paint straight out of the tube to create the weight of the tree. I like how it turned out—the tree has the look and feel of worn leather and it contrasts nicely with the lightness of the dryer sheets. The swirly branch designs remind me of the patterns in my ornaments, which is something I noticed when I gave the talk. There’s just something very appealing to me about that design, something wholesome about the round swirling patterns. For the jeweled leaves I was inspired by a Monet print we have in our living room that has deep purples and greens, like jewels in the deep blue water. I thought that the richness of the colors somehow matched the richness of the Lotus festival music. I searched my stores of felt scraps for little pieces that I just couldn’t throw away and found some real treasures. I cut and cut and cut some more to create my small leaves, and I managed to dull a pair of my favorite scissors in the process. Luckily, I have three more pairs (always be prepared!). A new pair of scissors will soon appear in the family collection and the boys will be happy. Use ‘em and lose ‘em seems to be their motto. The last step will be to glue the panels onto the wooden supports, and until then I’m holding my breath. If it all comes together I’ll post it on my Facebook page.


Since there’s no rest for the weary mom, Friday was a busy family day. I stopped in to see Jacob’s dinosaur project at school, took the boy’s to their Tae Kwon Do class, brought them back home for a snack and then off we went to the Rogers-Binford school carnival. I baked and decorated a cake for the cakewalk that was quickly claimed as a prize—at least I saw it in someone’s arms shortly after we got there and sat down for pizza. We bought some books, played some games, ate some candy, dyed four lips blue or red with wretched snow cone colors, watched karyoke as we waited to win a big prize at the raffle, and chatted with parents and friends. But that wasn’t enough for one day or week! We packed up and zipped off to the Musical Arts Center to see West Side Story that night. The performance was excellent, as usual, and the boys are now ready for the next theatrical event in town—the Cardinal Stage Company is putting on the ‘Little Shop of Horrors’.

Saturday started off with a trip to the farmer’s market, then the house turned into a madhouse with friends of the boys over. A little gardening got done and a few flowers planted, then the day gave way to dinner featuring warm fresh flatbread with garlic and cheese spread and a nice Argentinian pinot noir. And since fresh rhubarb was on display at the farmer’s market, I used all my secret strategies to get my dear husband to buy rhubarb and bake me a pie this morning! There isn’t much better than warm pie with whipping cream on a Sunday morning with a nice cup of tea! Did I say I like pie? Plus, the best news of all: this week it all starts over again! Only the adventures, pies and type of wine seem to change!

Until next week...


Martina Celerin

Sunday, February 7, 2010

Tomatoes, Flowers, and Butterflies...

They all played a big role in my week. This week I finished my ‘Home Grown Tomatoes’ piece. I ultimately made 72 felted tomatoes for the piece, finishing with a couple of branching stems of little cherry tomatoes. They ripen from the plant outward, so there’s always a couple of green ones at the end to keep you from harvesting the whole branch too soon. Maybe the new owners will put the piece on a sunny windowsill to let it ripen. As I finished with the painstaking work of creating the five little petioles for each tomato, I thought about how looking closely allows one to appreciate the intricacies of nature. But with that said, I’m sooo looking forward to munching on the little cherry tomatoes that pop up as volunteers all over our garden each summer. My husband has unwittingly carried out my evil plan to get them spread all through the flower beds as he mulches. He can’t begin to weed them all out, as Grandma insists we should, so I always get plenty of little red delights each summer. I love sending out Tommie with a bowl to harvest a few when we have company—nothing beats a just-picked bowl on the table.

Finishing a piece means a new challenge, and this week the weather began sunny and bright. I was just feeling good about feeling firmly planted in this town, thinking what a great community of people I live in. That meant it was time to start my ‘Transplanted’ piece, with a root-bound flower establishing in a new garden bed. I dug into my chocolaty brown yarn box, and the yarns really did look like milk and dark chocolate on my studio floor. I created the base of the weaving using a sumac weave with 10 different yarns blended together. Just when it felt like there’s no more room to expand the sumac weave, I dug the hole by making an indentation and added a tabby weave with fewer yarns mixed together. I ended up with a wonderful cavity to plant my root ball in, and the dirt didn’t keep slipping back in to fill the hole as I did it!


For the root-bound flower I chose a red cactus dahlia. This is a special flower in our garden, since my husband seems to slip them in all around—it’s kind of a defining flower for us. To create all the colors and textures I needed I envisioned a huge project of blending and carding green fleeces ahead of me, which I wasn’t looking forward to at all. I needed a deep, rich red for the flowers and a good match for the dahlia green leaves. That normally means getting out my antique hand carders from Quebec, with handles made like the old mission style furniture that are beautiful but a pain to work with. I don’t think ‘ergonomic’ is a French word, or maybe it didn’t fit on the boat when they came over to settle Quebec. Your hands get pretty achy after you’ve done a lot of carding. To solve my problem I borrowed the drum carder from the local Spinners and Weavers Guild, which looks very medieval and even a little scary. Then it became a matter of finding the six or eight green fleeces to make the perfect dahlia leaf color and turning the handle! I did run the fleece through twice, but out came exactly the color I wanted to create the felted compound leaves of the dahlia. I think I need one of those—hmmm—when’s Mother’s day?


Finally, yesterday marked the culmination of a community art project at Wonderlab. I did the first installment for ‘The Art and Science of Color’, and we made a pixilated Eastern Tiger Swallowtail. The pixels comprised 3500 wine corks that I’ve been collecting from all over town (Yes, it’s a very happy town!). They were painted yellow, blue or black by Wonderlab volunteers, which was a Herculean project—thanks everybody! I had sketched and painted the butterfly on a four feet square panel that Andrea Oeding had built and prepped (great job, Andrea!). From 1:30 to 4:30 Saturday the kids of Wonderlab and I, along with a lot of help from still more volunteers, glued the corks onto the painting. Paula, one of the Wonderlab volunteers and biology grad student, took some great photos. Wow, what a project! We came out a little short on the black and blue corks, but the butterfly emerged nonetheless. The border of the project was intended to be a dark green, but we intentionally didn’t paint any green corks. The plan was to mix visually blue and yellow corks to get a green effect, but the soft tints we used ended up looking more like a bed of flowers. So now the glues are drying, after which we’ll seal it before it goes on display on the workshop building in the Wonder Garden next to Wonderlab. It should be visible from the B-line trail, which of course will now have to be called the butterfly line trail.

To close, I just want to say that it has been an honor to work with Andrea and all the people at Wonderlab. Even though the weather didn’t cooperate, with the big snowstorm that closed schools on Friday and put us off until Saturday, everybody stayed positive and enthusiastic. And the best news after last week: we’re a little closer to summer!


Until next week…

Sunday, December 6, 2009

The end of one season...

As soon as I finished writing the blog last week I started zipping around town, with art, to see all my local gallery-world friends. I stopped in at the Wandering Turtle to see Jamie and left some scarves with her. They are featured in her cool web feature called, fittingly, ‘New Stuff’. I’m so honored! My friend Amy Brier has some really interesting new work there too. I think of her as an excellent ‘big piece’ limestone carver and artist, but she has some new relief bowls at the Turtle. She also has elaborate carved limestone balls that leave impressions in sand when you roll them. Or in soft chocolate, as my husband suggests. I next popped in at the John Waldron with more scarves and cards for the season, but it’s always fun to chitty-chatty with the folks there and see the latest art. Marcy Neiditz, a local potter, has some really interesting bowls on display. She used to work primarily in black and white, but now she’s introducing some color and they look great. It’s not like Dorothy entering Oz, but it really captures your eye. My next stop was the By Hand Gallery, which is now the last bastion of ‘Shhh… the trees are sleeping’ pieces in Indiana. I’ve stopped making these and they’re slowly finding homes. My last stop was at Bloomingfoods with my holiday cards. I got to see my friend Tom, one of many Toms in my life. He used to be the manager at Pygmalions until he moved to Elletsville. He’s a wonderful artist and a really good person and it made my day. Tom is the one who persuaded me to order a lifetime supply of alligator clips (and I’m glad I did). He was a supporter and advice-giver as I got started in the art world a few years back.


And then on to the Holiday Art Fair at the Unitarian Universalist Church! Thursday night was set-up, which went smoothly, and Friday and Saturday were relaxing days at the show. I really like the ‘UU’ show for a lot of reasons. It’s slower paced than most with smaller crowds, which makes it more comfortable for the artists. The UU organizers go out of their way to make it comfortable for the artists. It’s hard to keep artists nailed in their booths, and I got the chance to walk around and see what else was going on. I also really like my spot, since I get bathed in sunlight from the big windows, and the sun passes through my friend Jacques’ glass art from across the aisle. Cappi and Bud Phillips were kind enough to loan me their mannequin to display my scarves, which really made a big difference for displaying the 3D shape of my newest scarves. But the best part was getting to have Bonnie Gordon-Lucas in the booth next door. She’s a sweet person with a mischievous streak—one minute she’s patiently explaining how to set up my booth, and the next minute she’s armed with an elastic that she’s about to shoot at someone across the building! I think all artists have a crazy streak in there somewhere. Bonnie did give me some excellent ideas about mixing colors, though, which I really appreciated. She pointed out something that I’d heard before but didn’t fully appreciate, which is never to use jet black in an art piece, since it ends up looking flat. Her trick is to use an undercoat of blue and paint the black thinly on top to give depth. She also recommends layering red under gold and blue under silver. I’m definitely going to try some experiments with those ideas in my next round of scarves by layering wool colors.


I guess I should write about the show too. The big thing for me was a red and black scarf with undulating edges. I sold it before the show even started to a local artist whose identity I’ll protect, but she’s a really classy person so I knew I’d done well. She let me leave it on display and I ended up with commissions to make several more like it! I had visualized a red center with a color gradient out to black edges, connected by a squiggly runged pattern arranged randomly. After a couple of rolls in the felting process I pulled on the outside edges, and that created a wonderful ruffled edge texture. I just love the dimensionality of the piece—imagine that! When the dust cleared I’d had another great show and got home in time for a cool but not cold Pilsner Urquel with my sandwich and salty chips for dinner. It couldn’t match the tasty Imam Bayildi my husband brought me for dinner from Anatolia’s on Friday night, but was good. Tonight we celebrate another successful art fair just the way families all over America celebrate, with vegetarian hot dogs roasted over the fire in the living room fireplace, followed by freshly baked blueberry pie. Only a little bit bubbled out of the pie during the baking process and burned in the oven, but the pie itself looks beautiful. And, did I say, my loving husband baked it just for me?


Until next week…