The brain project comes to a head…

I was completely immersed in my Brain project this week. The good news is that I can see the end approaching! Early in the week I attached all of the butterflies on to the brain and secured the vines. With help from Joe LaMantia, I created an elaborate mechanism to anchor the vine’s main stem through a hole I drilled in the brain. Connection points for the branches and the brain were made with hot glue, and the overall structure is very robust and almost ready for travel and display. My work on the euphoric side gave me the mental fix I needed to move over to the dark side. I have been working on creating three lithium citrate structures to suspend over the depressive side, much like the butterflies float over the euphoric side. I got some excellent support from the Poynter Sheet Metal Center to bend metal rods to create the citric acid molecule. I can’t say enough about how helpful and constructive they have been in helping me on the project. I discussed my metalworking needs with them before I left for Michigan, and when I returned to Stone Belt on Monday the structure sat gleaming on my workbench. It was like Spring Break Santa made a delivery. I was envisioning using tennis balls as some of the atoms in the structure, which was another suggestion from Joe. Between my own supplies, and scouring Opportunity House, I managed to find all but a few of the balls I needed. In fact, the majority of my Brain is made with reclaimed and recycled materials, a fact that I feel very good about. I had been humming and hawing over how to paint the tennis balls white, and I ultimately decided to drill a hole in them and insert a brazing rod from Grandpa’s welding supplies. I used a two-part epoxy to glue the metal rod to the ball, then I dipped the balls in some old sealing paint that we had in storage. I took two coats, but even the blue balls looked white. I needed red paint for the Lithium, which burns red in a flame, so I went to Kleindorfer’s hardware. I figure that’s as close to reclaimed and recycled as you can get if you have to buy new stuff in Bloomington. I was trying to decide between Massey Ferguson Red and Pioneer Red (you’ve got to love the old red tractor colors!). After they were coated with pain, I let them dry like chocolate dipped lollipops on the veranda. When they were dry I spent a few days wrapping yarn around the brazing rod and the carbon backbone to get the color and feel I wanted, and now all three structures are attached. I just love the symmetry that is created between the floating lithium citrate structures on the dark side and the growing vines and floating butterflies on the green side. Many thanks to Robin Ripley, another Brain artist, for so many of the great pics!!

One of the great bits of fun at the end of my week was the Bloom Magazine photo shoot at Stone Belt on Friday. I was delighted to see Steve the photographer again, who did my photo shoot in the last issue of Bloom. He staged the brains to create the compositions he wanted for pictures. The three fiber artists were clustered together, but comically he wanted us to pick up paintbrushes and pretend to be discussing paint colours for the brains! That bit of silliness got us all going on a beautiful, sunny Friday afternoon. The atmosphere bordered on giddy as we all laughed and talked, to the point where we were reprimanded for not staying on task. Everyone just had a good time. I shot a short movie of people milling about to give you a sense of what it was like. It reminded me of my days as a grad student when we’d all go to the Grad Club on Friday afternoons after an intense week of research to laugh, have a beer and just chill.

I promised last time to provide information about the brain project as it moves forward. I learned that all twenty-two brains will be together for one time only in the White Auditorium at Bloomington South High School on the 28^th of April. More details will follow, but I can’t wait to see all the pieces together. It’s just an amazing project. I had a chance to chat with Jill Bolte-Taylor, the person who conceived and organized the project, and we both marveled at the diversity of the brains. They’re all identical in size, but they’re as distinctive as the artist that created each one. The overall effect is otherworldly. I was also very pleased to see Malcolm Abrams, the editor of Bloom, enthusiastically participate in the shoot.

My other big project from the week involved the Girl Scouts. I had a dozen girls from a local troupe, plus a few siblings and a half-dozen parents or so, all jam-packed in my kitchen. The event had a lot of energy and it was such fun. It felt great (no pun intended) to be able to introduce them to a completely different medium that none of them had played with before. They made wet felted balls to begin with and transitioned into other shapes. They just ran with the idea, making cats and other creatures. I got my bead collection out along with some silk thread so they could embellish their creations. Along the way I had them dyeing with Kool-Aid. They were amazed by how effectively the wool exhausts the color in the dye pot. There was some concern about the dyes transferring to clothes, but once it’s in the wool it isn’t going anywhere. At the end of the day everyone went home happy with a bag of merino noils to make more art. It took a while, but when things got quiet again my two boys slowly emerged from some corner of the house where they were hiding and things returned to normal.

Until next week…

Martina Celerin

Valentine’s Day: Pie, chocolate and brains

Yesterday morning was Valentine’s Day. I woke to the alarm and skipped off to my 6:30 a.m. Zumba class through an inch of fresh snow. When I came home I was in for a few surprises! Jim baked me a delightful pie using Mutsu apples. They were bought at the farmer’s market, sliced up and frozen away until now—a little bit of autumn in the winter. My boys made me Valentine’s Day cards too, with chocolate candies taped inside. They tell me I’m the best Mom ever! My day was off to a good start. After a day of art and housework I settled into the couch in front of a nice fire to warm my bones while I needle felted the final details on the hand that holds my bouquet of dandelions. Last week I described this in more detail, but basically the bouquet will stand out in front of a green background covered with colorful felted flowers. I finished the dandelions a few days ago and photographed them in a special vase from Kathey Gibson, a good friend from Kawkawlin, Michigan. I still need to add the layer of skin to the hand before I can assemble the parts, but I’m really pleased with the hand and how the piece is coming together.

I can’t talk about art these days without mentioning my giant fiberglass brain at Stone Belt. Last week I finished attaching all the flowers to the green side of the brain. I still need to create vines and butterflies to give that side of the piece more depth and movement. The green side is intended to showcase the eurphoric aspects of bipolarism. My understanding, and what I’m going for, is to create an information overload that goes beyond pretty valleys and images and creates an intense, palpable, almost overwhelming experience. I also started work on the dark side of depression and despair as I move the rest of the piece forward. I covered the left hemisphere with mottled sections using black felts. I started to attach a few black objects to the dark side as well, including broken watches and compasses (time stands still and direction is lost), empty liquor bottles, wine corks, and pill bottles painted black (alcohol and drug abuse). I’m working on creating more dark objects to include by spray painting roses, birds in cages (thanks Cappi!) and dark angels . I’m going to add a few words I’m creating from cardboard castoff letters (thanks IU Geology department!), also painted black. I’ll use helplessness, depression, darkness, anger, and anything else that contributes to the depths of despair. I also intend to include black electrical cords to add movement and balance the green vines on the euphoric side. I’ll make the dark side additions permanent using silicone adhesive, which seems to work best for the range of materials I want to use.

The brain project also brought me a few minutes of fame across the Midwest this week. The Bloomington Herald-Times newspaper came and took pictures of the brains. They interviewed Joe LaMantia and me to get a flavor for what’s going on, and the article was picked up by the Associated Press. I saw that the article made it to papers and TV websites in Indianapolis, Chicago (the Tribune!) and Louisville. It even made it to Terre Haute and Brazil (Indiana). My life is complete. The local public television affiliate, WTIU, is scheduled to visit Friday to get some footage for TV. We’ll have to see if my brain makes it onto the little screen.

Of course the rest of my art projects don’t rest, even as the brains expand. I’m trying to finish off a few pieces I’ve been working on for the Bloom artist showcase on February 25^th. I even took on a new commission this week, due by early June, so life is full. I do take a little time out for myself (and Jim) these days. We went to the Sunday matinee performance of “The Boy in the Bathroom” at the Bloomington Playwright’s Project. Chad Rabinovitz and the cast put together another amazing and moving performance. We’re extremely fortunate to have him running the BPP, bringing together both the artistic and business aspects of the venture together into a successful and vibrant home for new plays. I’m sure we’ll be back sometime soon!

Until next week…

Martina Celerin