Fall is coming!

Now that the Fourth Street Art Festival has past, I’m eager to launch into my fall activities.  Foremost on my list is completing a large-format commission piece, which will be 44 by 24 inches when it is framed.  It’s a huge piece!  It’s going to take an intensive effort to weave the background.  Luckily, I love to weave!  Right now I’m laying down the base yarn colors, although they will not be highly visible in the final piece.  That’s because I use a crocheting technique to build forward a ledge at the bottom of the piece.  That’s where I will “plant” the mature trees.   

Speaking of trees, I’ve been assembling the trunks during my captive times away from home, such as when I watch the boys do their Taekwondo classes.  The trunks are solid wool, but the core is made from my father-in-law’s old wool army blankets.  They were holey and needed a good home.  I also had a good stroke of fortune at Fourth Street when a young girl approached me to see if I wanted to buy wool roving.  She raised Shetland sheep for her 4H project and had just completed the first shearing.  The wool was washed and carded into roving.  I’m always on the lookout for small amounts of various wools so I asked her to sell me eight ounces of each variety she had.  Fortunately, the aunt was coming to Bloomington and was kind enough to deliver the wool after the festival.  I sort of tossed it downstairs to catalog later into my extensive collection.  When I started looking around for tree trunk wool for my commission, I realized the bag of new roving had the perfect deep, rich coffee brown for my tree trunks!  

 I’ll also use many of the green wools I dyed last week to make leaf clumps for the canopy.  I love it when a project comes together!  If that wasn’t enough to keep me busy, I took on another commission this week.  I will be a tall, narrow version of ‘Some like it Hot’, my pepper collection piece.  It features red, orange yellow and green peppers of varying sizes and colors.  That will mean a lot of needle felting to create the peppers, but I’m mentally ready to take on the fall color palette.  I think I need to work with a broader range of vibrant colors after making many pieces featuring the crunchy, bright greens of spring and summer. 

And speaking of fall colors, last weekend we launched into our annual bruschetta making project.  We started out at the farmer’s market, buying twenty pounds of tomatoes.  Roma tomatoes make up the base, but the project consumed about eight pounds of heirloom tomatoes of various colors and shapes and several pounds of onions.  Luckily, Jim planted an herb garden this spring and kept it watered through the dry weather.   

That meant we were able to include four kinds of basil (lemon, Thai, globe and Greek) and two kinds of oregano (Italian and spicy).  Jim doesn’t seem to notice that I basically mowed down the patch, but it was all for a good cause.  We spent a day blanching and peeling until our fingers were wrinkled, chopped like crazy and stirred with the greatest of care not to break up the tomatoes or allow material the bottom of the giant stockpot to burn.   

Forty-seven jars later I think we’re set for winter.  Actually, there are only forty-six jars in the freezer while one was left out to test.  Tommie, Jim and I give it a huge thumbs up.  Jacob is still acquiring a taste for such things.  

 I can tell that we’re settling back into a routine, since this week there was no pie for breakfast.  I can either be sad about not having pie or I can look forward to the next one, which I’m sure will be soon.  The second choice always works better!

Until next week…

Martina Celerin

There’s not much I can’t fix in my dye pot…

Except maybe the snow from this week, at least not until I get a bigger pot. The two snowstorms we had translated into two and a half school days off, with shrieking kids and pizza lunches taking up much of my days. Still, I managed to get a whole lot of art done. The big news from Andrea at Wonderlab is that the giant butterfly is officially finished. I don’t know where they got the extra wine corks, or when they painted them, but Andrea seemed quite happy. I can’t wait to stop by next week to see it! I guess I can arrange a ceremonious return of the corks back to the recycle center. I also took some steps ahead on my ‘Transplanted’ piece, weaving the dirt and the sky and stretching it out in the frame. I think the dirt ball is lovely, as only a gardener would, as is the hole in the earth. I still need to add the overgrown roots and the plant and flower, but the parts of the piece that I wasn’t sure about have come together nicely. If only I could remember where I left the trowel!

Last week I also launched a few other new projects. Beginnings are fun, because you never know how each project will turn out. And there is no Island of Misfit Toys in my world—anything that doesn’t work just goes back in the collection for the next piece. I began my next volunteer project, which is a mobile for the Edible Lotus event that will hang over one of the Edible Lotus tables. I intend to make a barren tree in the fog using my latest favorite material, depleted dryer sheets. That means I’m still collecting if you have any extras. When my husband wanted to know how that was going to look, I just gave him my most mysterious look and told him: “Be surprised”. He had just made me a nice dinner with pan-seared tuna and a spinach salad, so maybe I should have been a little more forthcoming, but I was enjoying the moment.

After a few days of snow, the week turned bright and sunny. We’re back into the deep freeze, but at least it’s going to warm up during the daytime and the days are getting longer. On Thursday it was clearly a day to dye yarn (don’t ask me how I know these things). I got out my very old Nilus leClerc metal swift, appropriately made in Quebec. It’s still totally functional, built from iron and as solid as the Banque du Canada, but it’s also a great antique. It came up for auction at the Spinners and Weaver’s guild annual event and I got into a bidding war over it. It was worth every penny I spent and it’s a treasure in my art studio. Anyway, I pulled out the yarns that King Moonracer couldn’t find a home for (the winged lion that rules the island of misfit toys).

I had some pale mossy greens that weren’t working for me, plus some grey-blues, sandy browns and multicolored greens that had a lot of grey in them that I didn’t appreciate. So out came my green and yellow dyes and now, 13 skeins later, I have a new collection of vibrant greens for my spring green projects. This includes a mint green project that must have been inspired by the crisp air (or maybe it’s just Girl Scout cookie time and the Thin Mints are here). I made the minty green background gradient for a piece that will feature salamanders, skinks and lizards, each featuring those unnaturally vibrant colors and beautiful patterns that tell predators: ‘try having me for lunch and you’ll be very sorry, buddy.’ I know because that’s how I dress sometimes. That also means that if you see me around town this week, at a meeting or waiting for my kids at their Tae Kwon Do class, you’ll probably see me poking away at some amphibians. Don’t be alarmed—no amphibians will be harmed, and it keeps me from starting still more new projects.

Until next week...



Martina Celerin