I’m really excited about the piece I just finished. I’m calling it “The Visit,” and it’s another piece in the series I’m creating for the Monroe County History Center’s Garden Walk Show. I think that it’s a piece that nicely conveys the inspiration for the piece, so I’m really pleased with how it turned out. I had been thinking a lot about two ideas that fit together in my mind.
One aspect is the effort to see things that are slightly hidden, obscured by something in the foreground, looking through a mesh or partly closed curtains. My mind’s eye is trying to build a picture of what’s on the other side from the bits and pieces I can see. The fence blocking the path and some of the flowers captures that essential part of ‘The Visit” for me. The other aspect is the feeling you get when you visit a friend and leave pieces of yourself outside and step into their world.
I tried to capture that with the abandoned bicycle at the fence, leading you to the conclusion that you’ve stepped through the gateway and into the yard beyond, something you couldn’t see clearly from outside the fence. I really enjoy visiting with my friends, both in the physical sense of being with them and because I can step out of my world to get an idea about how they experience life.
I had two wonderful experiences this week that helped me
bring those ideas together. Early
in the week I went with my friend Dawn Adams to the SOFA gallery at IU to see
the current BFA show. It’s a
completely different experience from my usual routine, and I learn a lot by paying
close attention to the art – what works and what doesn’t. One of our memorable conversations was about
the concept of large areas of open space in artwork, really pushing the amount
of negative space in a piece. I tried
to incorporated that concept in ‘The Visit’ through the amount of green space
off in the distance and balance it with an abundance of information in the
foreground.
The other terrific
experience I had this week was a visit to Jill Bolte-Taylor’s studio. She invited me to play in her sandbox, working
with stained glass, which is a medium I’ve never explored. Her studio is a welcoming place—it’s
well organized and brightly lit and
she has power tools! My standard
choice for composition when I’m exploring a new medium is to create a
tree. Jill is going to fuse it for
me, but for now it’s already laid out, foil wrapped and ready to assemble. She’s really an amazing person—caring
and generous, and just fun to sit and chitty-chat with. I’m glad she makes Bloomington her
home.
This week we had what I expect is our last snow day of the
year. I could tell you we had lots
of snow, but the reality is that two inches of wet snow closes the schools in
Bloomington. It was very pretty to
see. The wet, sticky snow attached
to all the branches and gave a nice patina to my yin-yang piece hanging at the
carport. I made it as an
installation piece, where the yin and yang are the arts and sciences. I thought it was pretty with the
branches covered in snow. I was
ready to take it down earlier this year, but now I think it’s OK to stay up a
little longer. And the really big
news of the week—I got a raspberry pie!
Jim ‘discovered’ frozen
farmer’s market raspberryies he had squirreled away in the freezer and forgot
about. It was under the frozen
Girl Scout cookies. Anyway, the
flavor was awesome! And spring is
almost here! The birds building
nests and chirping happily outside, so I know it must be true.
Until next week,
Martina Celerin
Your work is absolutely amazing. Do you do tutorials?
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